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Question paper · UP TGT
UP TGT 2016 — Music Instrumental (Series A)
8 or 9 March 2019125 questions+3.4 for a correct answer, −0 for a wrong one
Questions from the U.P. Secondary Education Services Selection Board’s paper of 8 or 9 March 2019. Each question’s answer is under it, hidden until you open it, and the full answer key is at the end. Take the paper as a timed practice test to be scored.
The official booklet is a scan with no text, so ExamBharo typed this paper from it by hand. A typing slip is possible; report one through the contact page.
Music Instrumental
1. The Thaat of Raag Bhoopali is
- (a) Kalyan Thaat
- (b) Bilawal Thaat
- (c) Khamaj Thaat
- (d) Kafi Thaat
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Answer: (a)
2. The number of matras in Rudra taal is
- (a) 10
- (b) 12
- (c) 11
- (d) 13
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Answer: (c)
3. No. of matras in Dhamar taal
- (a) 10
- (b) 12
- (c) 14
- (d) 15
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Answer: (c)
4. ‘Pa Ma Ga Ma Ga Re Sa .....’ phrase represents

- (a) Bilawal
- (b) Bihag
- (c) Shankara
- (d) Kedar
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Answer: (b)
5. Which of the following Raag is not from Kalyan Thaat ?
- (a) Kedar
- (b) Kamod
- (c) Hamir
- (d) Shankara
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Answer: (d)
6. Vaadi and Samvaadi Swaras are usually related with
- (a) Sa – Ma or Sa – Pa
- (b) Sa – Ma or Sa – Ga
- (c) Ga – Pa or Sa – Ga
- (d) None of these
Show answer
Answer: (a)
7. What is famous for Raga classification in Karnatic (Southern) music ?
- (a) Thaat
- (b) Raagang
- (c) Melakarta
- (d) None of these
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Answer: (c)
8. The number of Moorchhanas possible from a Gram
- (a) 4
- (b) 5
- (c) 6
- (d) 7
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Answer: (d)
9. Which Swara is called ‘Adhvadarshak Swar’ ?
- (a) Sa
- (b) Ga
- (c) Pa
- (d) Ma
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Answer: (d)
10. Who proposed Raagang Raag classification ?
- (a) Paluskar
- (b) Amir Khan
- (c) Bhatkhande
- (d) Narayan Moreshwar Khare
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Answer: (d)
11. Which frets of swar were not in Sitar of Mushtak Ali Khan ?
- (a) Flat Ga, Flat Ni
- (b) Flat Ga, Sharp Ma
- (c) Sharp Ma, Flat Ni
- (d) Shuddha Ga, Shuddha Ni
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Answer: (a)
12. Pt. Nikhil Banerjee is associated with
- (a) Sitar
- (b) Sarod
- (c) Sarangi
- (d) Surbahar
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Answer: (a)
13. Shuddha Madhyam is placed on which shruti according to the Musicologists of Ancient period ?
- (a) 14ᵗʰ
- (b) 12ᵗʰ
- (c) 13ᵗʰ
- (d) 15ᵗʰ
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Answer: (c)
14. How many Ang are there in a taal ?
- (a) 3
- (b) 5
- (c) 6
- (d) 7
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Answer: (c)
15. Which swar cannot be absent in a Raag ?
- (a) Pa
- (b) Ma
- (c) Ga
- (d) Sa
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Answer: (d)
16. Which one of the following instrument is based on equally tempered scale ?
- (a) Benjo
- (b) Santoor
- (c) Harp
- (d) Swarmandal
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Answer: (a)
17. Choose the correct ascending order of Shruti.
- (a) Manda, Prasarini, Rakta, Priti
- (b) Teevra, Kumudwati, Ramya, Raudri
- (c) Manda, Priti, Rakta, Prasarini
- (d) Manda, Prasarini, Priti, Rakta
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Answer: (d)
18. Choose the arrangement from large to smaller in size.
- (a) Bass, Chalo, Viola, Violin
- (b) Bass, Chalo, Violin, Viola
- (c) Chalo, Bass, Viola, Violin
- (d) Chalo, Bass, Violin, Viola
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Answer: (a)
19. Jhala is associated with
- (a) Vilambit laya
- (b) Madhya laya
- (c) Drut laya
- (d) None of these
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Answer: (c)
20. Which of the following Raag has ‘Re Pa’ phrase ?
- (a) Kamod
- (b) Goud Sarang
- (c) Kedar
- (d) Yaman
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Answer: (a)
21. How many swaras are used for a Raag of Shadav – Sampoorna Jati respectively ?
- (a) 8 – 6
- (b) 6 – 5
- (c) 6 – 7
- (d) 2 – 6
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Answer: (c)
22. Which is used to play Sarod ?
- (a) Java
- (b) Gaj
- (c) Mijrab
- (d) Dandi
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Answer: (a)
23. In how many categories, the musical instruments are classified ?
- (a) 5
- (b) 4
- (c) 7
- (d) 10
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Answer: (b)
24. Which of the following group of Raag belongs to Bilawal Thaat ?
- (a) Shankara, Durga, Deshkar
- (b) Chhayanat, Durga, Bilawal
- (c) Durga, Baageshri, Bibhas
- (d) None of these
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Answer: (a)
25. Ustaad Ali Akbar Khan is associated with
- (a) Sarod
- (b) Sitar
- (c) Surbahar
- (d) Sarangi
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Answer: (a)
26. The third cycle of Tigun of Teentaal will start
- (a) After 10⅔ matra
- (b) On 10⅔ matra
- (c) After 9⅔ matra
- (d) On 9⅔ matra
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Answer: (a)
27. How many types of Gamakas are mentioned in treatise ?
- (a) 15
- (b) 20
- (c) 22
- (d) 25
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Answer: (a)
28. In which tali, 11ᵗʰ beat of Deepchandi taal comes ?
- (a) 2ⁿᵈ
- (b) 3ʳᵈ
- (c) 4ᵗʰ
- (d) 1ˢᵗ
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Answer: (b)
29. How many types of Yati are there ?
- (a) 3
- (b) 4
- (c) 5
- (d) 6
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Answer: (c)
30. How many strings of bronze and copper were present in old Sitar ?
- (a) 12
- (b) 3
- (c) 9
- (d) 2
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Answer: (b)
31. Jhaptaal is an example for
- (a) Tishra Jati
- (b) Mishra Jati
- (c) Khanda Jati
- (d) Sankeerna Jati
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Answer: (c)
32. In ancient texts, how many ‘Grams’ are described ?
- (a) 2
- (b) 3
- (c) 4
- (d) 1
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Answer: (b)
33. The ratio of Shadaj-Madhyam and Shadaj-Pancham respectively are
- (a) 4/3 and 3/2
- (b) 5/4 and 6/4
- (c) 3/2 and 4/3
- (d) 9/8 and 3/2
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Answer: (a)
34. How many Khalis are there in Aada chartaal ?
- (a) 1
- (b) 2
- (c) 3
- (d) 4
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Answer: (c)
35. Rajakhani Gat is related with
- (a) Vilambit laya
- (b) Madhya laya
- (c) Drut laya
- (d) None of these
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Answer: (c)
36. In which swar respectively the both strings of Chikari are tuned ?
- (a) Ṡa Sa
- (b) Ma Ṡa
- (c) Sa Ṡa
- (d) Ṡa Ṡa
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Answer: (c)
37. Old ‘Shuddha Gandhar’ is present day’s
- (a) Shuddha Ma
- (b) Shuddha Re
- (c) Komal Ga
- (d) Shuddha Ga
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Answer: (c)
38. In which of the following book, the term ‘Raag’ was mentioned for the first time in the history of music ?
- (a) Brihaddeshi
- (b) Sangeet Ratnakar
- (c) Raag Tarangini
- (d) Sangeet Makaranda
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Answer: (a)
39. Which of the following Raag has ‘Pa Re’ phrase ?
- (a) Hameer
- (b) Goud Sarang
- (c) Kamod
- (d) Shankara
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Answer: (b)
40. What is the name of 2ⁿᵈ string of Sitar ?
- (a) Baj Ka Tar
- (b) Jodi Ka Tar
- (c) Pancham Ka Tar
- (d) Chikari Ka Tar
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Answer: (b)
41. The first string of Tanpura is tuned according to need
- (a) Mandra Ma
- (b) Mandra Pa
- (c) Mandra Ni
- (d) All of the three
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Answer: (d)
42. Who is ‘Mridangacharya’ among the following ?
- (a) Samata Prasad
- (b) Kishan Maharaj
- (c) Alla Rakha
- (d) Nanasahab Panse
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Answer: (d)
43. Samvadi Swar of Raag Bilawal is
- (a) Ga
- (b) Dha
- (c) Pa
- (d) Re
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Answer: (a)
44. Which one of the following letter (bol) is played on left drum (Dagga) ?
- (a) Ti
- (b) Ge
- (c) Ra
- (d) Ta
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Answer: (b)
45. How many kinds of Naad are there ?
- (a) 2
- (b) 3
- (c) 4
- (d) 5
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Answer: (a)
46. Which of the following is a ‘Sandhiprakash’ raag ?
- (a) Pooriya Dhanashree
- (b) Baageshri
- (c) Malkouns
- (d) Shankara
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Answer: (a)
47. The sum of which two taal is equal to 25 matra ?
- (a) Dhamar + Dadra
- (b) Pancham Savari + Jhaptaal
- (c) Kehrawa + Sooltaal
- (d) Tilvada + Pancham Savari
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Answer: (b)
48. Which one of the following Raag can be used for Thumri ?
- (a) Bhairav
- (b) Yaman
- (c) Bhairavi
- (d) Bhoopali
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Answer: (c)
49. To say or write 5 matras in 4 matras is known as
- (a) Aad
- (b) Dugun
- (c) Kuaad
- (d) Biaad
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Answer: (c)
50. Which of the following taal is mostly used in ‘Thumri’ ?
- (a) Tilwada
- (b) Jhoomra
- (c) Deepchandi
- (d) Jhaptaal
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Answer: (c)
51. Which of the following Taal is not having 14 matras ?
- (a) Jhumra
- (b) Adachartaal
- (c) Deepchandi
- (d) Tilwada
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Answer: (d)
52. An example for Ghana Vaadya is
- (a) Jal Tarang
- (b) Shehnai
- (c) Santoor
- (d) Violin
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Answer: (a)
53. Which one of the following instrument is not used in dhrupad style ?
- (a) Rudra Veena
- (b) Vichitra Veena
- (c) Surbahar
- (d) Israj
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Answer: (d)
54. Sangeet Ratnakar was written in
- (a) 13ᵗʰ century
- (b) 12ᵗʰ century
- (c) 10ᵗʰ century
- (d) 15ᵗʰ century
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Answer: (a)
55. Ṇi, Re, Ga, Re, Ṇi, Re, Sa phrase is used in which of following Raga ?
- (a) Bhairav
- (b) Yaman
- (c) Asavari
- (d) Desh
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Answer: (b)
56. Kinds of laya are
- (a) 1
- (b) 2
- (c) 4
- (d) 3
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Answer: (d)
57. Which of the following instrument is closer to Sitar ?
- (a) Surbahar
- (b) Sarod
- (c) Sarangi
- (d) Violin
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Answer: (a)
58. The number of swar in an Audav Jati is
- (a) 6
- (b) 5
- (c) 7
- (d) 8
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Answer: (b)
59. Which of the following Raag has the same swar as that of Bhoopali ?
- (a) Durga
- (b) Shuddha Kalyan
- (c) Kedar
- (d) Deshkar
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Answer: (d)
60. How many ‘Khali’ are there in Ektaal ?
- (a) 4
- (b) 1
- (c) 3
- (d) 2
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Answer: (d)
61. The number of chapters in Natyashastra are
- (a) 30
- (b) 40
- (c) 28
- (d) 36
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Answer: (d)
62. Dhamar taal has the division of matras in the following order
- (a) 4, 3, 3, 4
- (b) 5, 2, 3, 4
- (c) 3, 4, 4, 3
- (d) 3, 4, 3, 4
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Answer: (b)
63. ‘Sangeet Ratnakar’ was written by
- (a) Sharangdev
- (b) Lochan
- (c) Bharat
- (d) Ahobal
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Answer: (a)
64. Sangeet Parijat was written in
- (a) 1600
- (b) 1650
- (c) 1500
- (d) 1400
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Answer: (b)
65. ‘Ma Pa Dha Ma Ga Re Sa’ is an important phrase of
- (a) Rageshree
- (b) Kamod
- (c) Baageshri
- (d) Bihag
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Answer: (c)
66. The playing time of Raag Asavari is
- (a) First Prahar of Day
- (b) Second Prahar of Day
- (c) Third Prahar of Night
- (d) Evening
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Answer: (b)
67. How many shrutis are in Swar Pancham ?
- (a) 2
- (b) 4
- (c) 3
- (d) 5
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Answer: (b)
68. Bansuri can be placed in group
- (a) Sushir
- (b) Tat
- (c) Avanadh
- (d) Ghana
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Answer: (a)
69. In Hindustani music, the Thaat having all shuddha swaras is
- (a) Kalyan Thaat
- (b) Asawari Thaat
- (c) Bilawal Thaat
- (d) Bhairavi Thaat
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Answer: (c)
70. Which animal or bird is related with Swar Re ?
- (a) Peacock
- (b) Bull
- (c) Elephant
- (d) Frog
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Answer: (b)
71. Raag Bhairav has
- (a) Re and Dha both aandolit
- (b) Only Re aandolit
- (c) Only Dha aandolit
- (d) None of these
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Answer: (a)
72. In Hindustani music, the maximum number of possible Thaats are
- (a) 72
- (b) 35
- (c) 32
- (d) 49
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Answer: (c)
73. ‘Kakali Nishad’ of Karnatic (southern) music is known in Hindustani system as
- (a) Shuddha Ni
- (b) Komal Ni
- (c) Shuddha Dha
- (d) None of these
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Answer: (a)
74. Which of the following Raag is from Poorvi Thaat ?
- (a) Puriya Kalyan
- (b) Jog
- (c) Kamod
- (d) Lalit
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Answer: (d)
75. The starting matra of any taal is called
- (a) Sam
- (b) Khali
- (c) Taali
- (d) None of these
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Answer: (a)
76. One Aavartan of Tigun of Jhaptaal will come in
- (a) 3⅓ matras
- (b) 3⅔ matras
- (c) 4 matras
- (d) 3½ matras
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Answer: (a)
77. Mushtak Ali Khan is famous for which instruments ?
- (a) Sarangi
- (b) Sitar
- (c) Dilruba
- (d) Tabla
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Answer: (b)
78. The symbol for Khali in Paluskar notation system is
- (a) ×
- (b) +
- (c) 0
- (d) |
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Answer: (b)
79. Which of the following is an example of Shadav Jati Raag ?
- (a) Bihag
- (b) Bhairav
- (c) Puriya
- (d) Darbari
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Answer: (c)
80. In Rag-Ragini system, how many main raagas are considered ?
- (a) 7
- (b) 4
- (c) 5
- (d) 6
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Answer: (d)
81. The number of beats in Gajajhampa taal are
- (a) 18
- (b) 22
- (c) 28
- (d) 15
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Answer: (d)
82. Kuaad laya is equal to
- (a) 1½
- (b) 1¾
- (c) ¾
- (d) 1¼
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Answer: (d)
83. How many frets has in Mandra Saptak of Sitar ?
- (a) 7
- (b) 12
- (c) 6
- (d) 9
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Answer: (c)
84. How many Khali are there in chartaal ?
- (a) 2
- (b) 3
- (c) 4
- (d) 5
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Answer: (a)
85. As per the definition of music, it includes singing, playing and
- (a) Acting
- (b) Meditating
- (c) Dressing
- (d) Dancing
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Answer: (d)
86. Violin is played with the help of
- (a) Wood
- (b) Bow
- (c) Mijrab
- (d) None of these
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Answer: (b)
87. Music has its roots in
- (a) Rig Veda
- (b) Yajur Veda
- (c) Sama Veda
- (d) Atharva Veda
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Answer: (c)
88. Which of the following ‘Gamak’ is equivalent to modern Meend ?
- (a) Sphurita
- (b) Kampita
- (c) Tribhinna
- (d) Plavita
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Answer: (d)
89. Pakhawaj is used for accompaniment with
- (a) Khyal
- (b) Thumri
- (c) Dhrupad
- (d) Gazal
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Answer: (c)
90. Baj of Delhi is called as
- (a) Syahi Ka Baj
- (b) Thap Ka Baj
- (c) Kinar Ka Baj
- (d) Lau Ka Baj
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Answer: (c)
91. At the time of Bharat, which of the following style was in practice ?
- (a) Raag Gaayan
- (b) Jaati Gaayan
- (c) Khyal Gaayan
- (d) Thumri Gaayan
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Answer: (b)
92. The guru of Tansen is
- (a) Gopal Nayak
- (b) Amir Khusro
- (c) Swami Haridas
- (d) Baiju Bawra
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Answer: (c)
93. How many lakshanas of taal are identified in Sangeet Ratnakar ?
- (a) 100
- (b) 120
- (c) 98
- (d) 85
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Answer: (b)
94. Brahma Taal has following number of ‘Khali’
- (a) 1
- (b) 2
- (c) 3
- (d) 4
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Answer: (d)
95. Tansen was a famous singer in
- (a) Khyal
- (b) Thumri
- (c) Dhrupad
- (d) Tarana
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Answer: (c)
96. Jaati Gaayan starts from
- (a) Ansha Swar
- (b) Griha Swar
- (c) Vaadi Swar
- (d) Nyas Swar
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Answer: (b)
97. In which Taal, Khali is on sixth matra ?
- (a) Jhaptaal
- (b) Tivra
- (c) Sooltaal
- (d) Ektaal
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Answer: (a)
98. Which instrument has only one string ?
- (a) Sitachand
- (b) Gopichand
- (c) Tarachand
- (d) Saranda
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Answer: (b)
99. Which of the following are ‘Achala Swaras’ ?
- (a) Sa and Pa
- (b) Sa and Ma
- (c) Ma and Pa
- (d) Ga and Ni
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Answer: (a)
100.
‘Dha Ma Ga Re Re , Ṇi Re Ga Re Re Sa’ is the phrase of which Raag ?- (a) Puriya
- (b) Marwa
- (c) Purvi
- (d) Puriya Dhanashree
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Answer: (b)
101. Which of the following is an Uttaraang Pradhan Raag ?
- (a) Puriya
- (b) Chhayanat
- (c) Multani
- (d) Basant
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Answer: (d)
102. ‘Ma Re’ phrase is used again and again in
- (a) Kalyan
- (b) Sarang
- (c) Todi
- (d) Khamaj
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Answer: (b)
103. How many times in Tihai the group of bols get repeated ?
- (a) 2 times
- (b) 3 times
- (c) 4 times
- (d) 9 times
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Answer: (b)
104. Which of the following raag belongs to Kafi Thaat ?
- (a) Rageshree
- (b) Bihag
- (c) Kedar
- (d) Bhimpalasi
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Answer: (d)
105. In solo Tabla playing, when ‘Peshkar’ is presented ?
- (a) At the end
- (b) In the middle
- (c) At the beginning
- (d) None of these
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Answer: (c)
106. What is the frequency of Shuddha Rishab according to Bhatkhande ?
- (a) 270
- (b) 218
- (c) 450
- (d) 320
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Answer: (a)
107. What is the name of the important phrase through which a Raag can be identified ?
- (a) Vaadi
- (b) Aaroh
- (c) Pakad
- (d) Meend
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Answer: (c)
108. What is the second name of taal Deepchandi ?
- (a) Chachar
- (b) Sool
- (c) Savari
- (d) Addha
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Answer: (a)
109. Nafiri belongs to the category
- (a) Tat
- (b) Sushir
- (c) Ghan
- (d) Avanadh
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Answer: (b)
110. Which of the following swaras have three shrutis ?
- (a) Ma and Pa
- (b) Ga and Ni
- (c) Re and Dha
- (d) Ga and Dha
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Answer: (c)
111. Which of the following Raag has the same notes as that of Puriya ?
- (a) Yaman
- (b) Basant
- (c) Marwa
- (d) Hindol
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Answer: (c)
112. ‘Ni Pa Ga Ma Re Sa’ is the main phrase in
- (a) Todi
- (b) Bhairav
- (c) Kalyan
- (d) Kanada
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Answer: (d)
113. Number of important varnas played in Tabla are
- (a) 8
- (b) 7
- (c) 10
- (d) 9
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Answer: (c)
114. Which taal is of ‘Khula Bol’ from the following ?
- (a) Rupak
- (b) Chartaal
- (c) Teentaal
- (d) Kehrawa
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Answer: (b)
115. Which of the following swaras are not used in Raag Durga ?
- (a) Ga and Pa
- (b) Ga and Ni
- (c) Ma and Dha
- (d) Ga and Dha
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Answer: (b)
116. In Paluskar notation system, the symbol of ½ matra is
- (a) ×
- (b) ~
- (c) +
- (d)

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Answer: (d)
117. How many Vikrit Swaras are there ?
- (a) 3
- (b) 5
- (c) 6
- (d) 4
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Answer: (b)
118. According to ‘Natya Shastra’ the term for ‘Vrindvadan’ is
- (a) Koot
- (b) Vrind
- (c) Kutup
- (d) Toorya
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Answer: (c)
119. Which of the following is not a quality of sound ?
- (a) Pitch
- (b) Timbre
- (c) Aardrata
- (d) Volume
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Answer: (c)
120. Vaadi and Samvaadi of Brindavani Sarang are respectively
- (a) Pa and Re
- (b) Sa and Pa
- (c) Pa and Sa
- (d) Re and Pa
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Answer: (d)
121. In which group Sarangi can be placed ?
- (a) Sushir
- (b) Ghana
- (c) Tat
- (d) Vitat
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Answer: (d)
122. If frequency of Sa is 240 Hertz, then frequency of Pa will be
- (a) 300 Hertz
- (b) 350 Hertz
- (c) 360 Hertz
- (d) 400 Hertz
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Answer: (c)
123. Who created Raag Darbari Kanada ?
- (a) Baiju Bawra
- (b) Tansen
- (c) Amir Khusro
- (d) Gopal Nayak
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Answer: (b)
124. Thaat system of raag classification was developed mainly by
- (a) Paluskar
- (b) Bhatkhande
- (c) Mansing Tomar
- (d) Amir Khusro
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Answer: (b)
125. In Tabla, ‘Laggi Vaadan’ is the speciality of which Gharana ?
- (a) Punjab
- (b) Benaras
- (c) Ajarada
- (d) Lucknow
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Answer: (b)
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Answer key
Answer key from the U.P. Secondary Education Services Selection Board’s official answer key for this sitting. “—” means the key gave none: the question was deleted.
Music Instrumental
- Q 1
- (a)
- Q 2
- (c)
- Q 3
- (c)
- Q 4
- (b)
- Q 5
- (d)
- Q 6
- (a)
- Q 7
- (c)
- Q 8
- (d)
- Q 9
- (d)
- Q 10
- (d)
- Q 11
- (a)
- Q 12
- (a)
- Q 13
- (c)
- Q 14
- (c)
- Q 15
- (d)
- Q 16
- (a)
- Q 17
- (d)
- Q 18
- (a)
- Q 19
- (c)
- Q 20
- (a)
- Q 21
- (c)
- Q 22
- (a)
- Q 23
- (b)
- Q 24
- (a)
- Q 25
- (a)
- Q 26
- (a)
- Q 27
- (a)
- Q 28
- (b)
- Q 29
- (c)
- Q 30
- (b)
- Q 31
- (c)
- Q 32
- (b)
- Q 33
- (a)
- Q 34
- (c)
- Q 35
- (c)
- Q 36
- (c)
- Q 37
- (c)
- Q 38
- (a)
- Q 39
- (b)
- Q 40
- (b)
- Q 41
- (d)
- Q 42
- (d)
- Q 43
- (a)
- Q 44
- (b)
- Q 45
- (a)
- Q 46
- (a)
- Q 47
- (b)
- Q 48
- (c)
- Q 49
- (c)
- Q 50
- (c)
- Q 51
- (d)
- Q 52
- (a)
- Q 53
- (d)
- Q 54
- (a)
- Q 55
- (b)
- Q 56
- (d)
- Q 57
- (a)
- Q 58
- (b)
- Q 59
- (d)
- Q 60
- (d)
- Q 61
- (d)
- Q 62
- (b)
- Q 63
- (a)
- Q 64
- (b)
- Q 65
- (c)
- Q 66
- (b)
- Q 67
- (b)
- Q 68
- (a)
- Q 69
- (c)
- Q 70
- (b)
- Q 71
- (a)
- Q 72
- (c)
- Q 73
- (a)
- Q 74
- (d)
- Q 75
- (a)
- Q 76
- (a)
- Q 77
- (b)
- Q 78
- (b)
- Q 79
- (c)
- Q 80
- (d)
- Q 81
- (d)
- Q 82
- (d)
- Q 83
- (c)
- Q 84
- (a)
- Q 85
- (d)
- Q 86
- (b)
- Q 87
- (c)
- Q 88
- (d)
- Q 89
- (c)
- Q 90
- (c)
- Q 91
- (b)
- Q 92
- (c)
- Q 93
- (b)
- Q 94
- (d)
- Q 95
- (c)
- Q 96
- (b)
- Q 97
- (a)
- Q 98
- (b)
- Q 99
- (a)
- Q 100
- (b)
- Q 101
- (d)
- Q 102
- (b)
- Q 103
- (b)
- Q 104
- (d)
- Q 105
- (c)
- Q 106
- (a)
- Q 107
- (c)
- Q 108
- (a)
- Q 109
- (b)
- Q 110
- (c)
- Q 111
- (c)
- Q 112
- (d)
- Q 113
- (c)
- Q 114
- (b)
- Q 115
- (b)
- Q 116
- (d)
- Q 117
- (b)
- Q 118
- (c)
- Q 119
- (c)
- Q 120
- (d)
- Q 121
- (d)
- Q 122
- (c)
- Q 123
- (b)
- Q 124
- (b)
- Q 125
- (b)